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The gaze look into the camera demonstrates a consciousness that there is someone looking back before the images were created. (Siegfried A. Fruhauf) 　　« Kinan di leid wider bled schaun heid / kinan di leid wider bled schaun. »* 　　This couplet, which is repeated like a mantra, forms the textual structure of BLED by the group Attwenger. In the course of the song it successively condenses into a loop which is underlined by the rumbling rhythm and the merciless electronic and accordion passages. Almost like a prayer wheel the invocation wobbles until its meaning and intonation begin to dissolve in the acoustic environment. 　　A similar process takes place on the visual level. Beginning with a shot of a man´s head (that of the filmmaker) which turns slightly to face the viewer, Siegfried A. Fruhauf alters the film in a number of steps. The picture dissolves into its grain, digital crosshatching or self-reflection, concluded by reworking in the style of drawing and painting with oil applied thickly and gesturally: The gaze into the camera – the faux pas which ruins the classic fiction-film shot – is visually disassembled, as a result of which this ur-scene of a break with fiction begins to decompose in a rhythmically eloquent manner. In all these variants the head is repeatedly dismantled into material textures that form a kind of formal structure underlying the concrete object. 　　"Look stupid" means, in the Austrian vernacular, not only to lose out, but also to stand around with gaping mouth, to wear a facial expression which incites aggression. Fruhauf works with the literal meaning of the latter to create a visual counterpart, which could be said to defuse this look. All stupidity is limited by sufficient deformation. 　　(Christian Höller) 　　Translation: Steve Wilder 　　* Können die Leut´ wieder blöd schauen heut´ / können die Leut´ wieder blöd schauen 　　(they´ll look stupid again today / they´ll look stupid again.)

The gaze look into the camera demonstrates a consciousness that there is someone looking back before the images were created. (Siegfried A. Fruhauf) 　　« Kinan di leid wider bled schaun heid / kinan di leid wider bled schaun. »* 　　This couplet, which is repeated like a mantra, forms the textual structure of BLED by the group Attwenger. In the course of the song it successively condenses into a loop which is underlined by the rumbling rhythm and the merciless electronic and accordion passages. Almost like a prayer wheel the invocation wobbles until its meaning and intonation begin to dissolve in the acoustic environment. 　　A similar process takes place on the visual level. Beginning with a shot of a man´s head (that of the filmmaker) which turns slightly to face the viewer, Siegfried A. Fruhauf alters the film in a number of steps. The picture dissolves into its grain, digital crosshatching or self-reflection, concluded by reworking in the style of drawing and painting with oil applied thickly and gesturally: The gaze into the camera – the faux pas which ruins the classic fiction-film shot – is visually disassembled, as a result of which this ur-scene of a break with fiction begins to decompose in a rhythmically eloquent manner. In all these variants the head is repeatedly dismantled into material textures that form a kind of formal structure underlying the concrete object. 　　"Look stupid" means, in the Austrian vernacular, not only to lose out, but also to stand around with gaping mouth, to wear a facial expression which incites aggression. Fruhauf works with the literal meaning of the latter to create a visual counterpart, which could be said to defuse this look. All stupidity is limited by sufficient deformation. 　　(Christian Höller) 　　Translation: Steve Wilder 　　* Können die Leut´ wieder blöd schauen heut´ / können die Leut´ wieder blöd schauen 　　(they´ll look stupid again today / they´ll look stupid again.)

The dead feast on human flesh and stop at nothing for it. The living, confined to the dark corners of the world, must do what it takes to survive. Dying is the only thing left to do at the end of the world. Now Ed, Matt, Joe, Natalie, Sam and Mary will try to survive. Who lives depends on who kills first.

The heroine of the story Struck by Lightning is a divorced teacher with grown-up children. She has been living alone for a long time, finding solace at her brother's grave in the cemetery. Years ago, he was killed by lightning somewhere in the mountains, at a mountain hut. And it is here, in the intimacy of the family grave, that Jana is approached by an unknown young man. He offers her companionship and help. Jana is afraid of him at first, but when he shows her a winding scar under his shirt, which proves beyond doubt that he, like her brother, was struck by lightning but survived, Jana believes him...

We don't have an overview translated in English. Help us expand our database by adding one.

The story of a young woman takes place at the end of the war in an apartment belonging to a Jewish owner who was forced to leave for a concentration camp. The young woman is waiting for her lover, a tall German officer who promised to take care of her and take her with him. An offer of rescue arrives, but it is only an attempt to lure her into handing over the jewelry that the Jewish owner of the apartment had entrusted to her for safekeeping. The woman finally understands the moral abyss and the hopelessness of the situation in which she finds herself...

The queen was so proud of her noble origins that she could not allow the prince to marry a girl who did not have a drop of blue blood running through her veins. What was the truth about the queen's nobility, and how did it happen that three weddings were celebrated at once in the royal kitchen? You will find out in today's cheerful fairy tale.

After his estranged brother’s mysterious death, Ethan goes on a journey to Las Vegas for the funeral and unravels a dark web of crime, forcing him to confront his past as he delves into the city’s gritty underworld to uncover the truth.

This time the detectives deal with the case of a murdered professor. One day a cleaning woman finds him shot to death in his own study. The detectives will thus investigate whether the murder is connected with the victim's persistent effort for the removal of the University's quaestor because of the latter's strange machinations during the reconstruction of the University building. And they'll also want to know why the murderer took the great risk involved in killing the victim on the university soil. The search for the answer to the question who could wish the death of the peculiar but honest professor will take them farther than they have expected.